E-ISSN: 2984-7435, P-ISSN: 2984-7427
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Ready to Wear Semi Couture Style Dragon Kamasan Puppet Design for Adult Women's Evening Party
Clothing
Ni Kadek Dwiyatirta Pande, I Wayan Mudra, Ida Ayu Gede Artayani
Institute Seni
Indonesia Denpasar, Denpasar, Bali, indonesia
Email: [email protected]
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Abstract Bali
has a basic philosophy whose inspiration comes from the comos-theos-antropos
aging by integrating the teachings of Balinese Hinduism-Balinese nature and
Balinese people as the basic orientation in all ideas and cultural artworks,
resulting in a special attraction in each of its artworks. The data
collection method was carried out by observation, interviews, and
documentation, as well as design design using the
Corel Draw 2020 design program. The research resulted in six ready-to-wear
semi-couture fashion designs for adult women's evening parties. This fashion
collection is named Reminiscence which means lifting the roots of local
Balinese culture, namely the Kamasan Wayang dragon. These six designs are designed using
shimmer silk, Balinese woven, and tulle. Kamasan puppet designs are applied
to different positions in each design. The first group design in the first
design, the Kamasan puppet dragon design position
was applied to the front position of the chest circling back to the front
pelvis. The second design position of
the Kamasan puppet dragon design on woven cloth is
tucked around the waist like a Balinese dancer's fashion shawl. The third
design positions the dragon head design on the front chest fit. The second
group of designs in the first design positions the Kamasan
puppet dragon design on the elongated woven fabric. The second design scraped the position of the
elongated design. Design the third design position on the chest fit. Fashion
design is the dress for all six designs. The design character of the first
group is feminine sexy and the design character of
the second group is feminine elegant. Dress variations are bolero, obi, and
blazer. Keywords: Fashion, Cultural Wisdom,_Evening
Party Clothing, Ready to Wear, Design. |
INTRODUCTION
Concrete evidence of the success of the basic
application of the philosophy of unifying comos-theos-anthropos
in the life of the Balinese people, resulting in various special names such as
Bali Island of the Gods (Bali Island of Paradise), island of a thousand
temples, the world's best tourist destination and so on. According to Picard M
According to Wasis Gunadi
Evening parties are party clothes that look
luxurious with the types of materials and accessories worn compared to morning
party clothes or afternoon parties. According to Darma
Putra et al.
The researcher found a field phenomenon of the
lack of cultural wisdom of fashion designers in developing the art of Kamasan puppet painting in adult women's evening party
clothing
Researchers' observations from initial
observations in the Sangging-Kamasan-Klungkung-Bali hamlet show that there is a phenomenon,
namely the lack of cultural wisdom of fashion designers in developing the art
of Kamasan puppet painting in adult women's evening
party clothing. Initial data observations of phenomena in the field are
supported by data sources that researchers collect as primary data. Researchers
collected primary data by interviewing active Balinese designers, namely Mrs. Yenli Wijaya and Mrs. Wahyu. Mrs Yenli Wijaya as a Balinese designer and as the head of IFC
Bali (Boutique Yenli-Denpasar-Bali, 08 April 2023)
for ready-to-wear semi took the innovation of evening party clothing for adult
women with the idea source of wayang Kamasan does not exist at this time, more towards batik Kamasan, chiffon kebaya fabric with wayang
Kamasan motif, kebaya with wayang
Kamasan motif, souvenir products that start to
outerwear, simple dresses and tote bags. There is no Kamasan
puppet innovation in evening party clothing.
Researchers see previous research on wayang Kamasan, no one has
innovated ready-to-wear adult women's evening party clothing, but different
innovations such as the research of I Wayan Mudra
The urgency of this research is that the weakness in the fashion world
is that it does not highlight local cultural motifs and local wisdom. This
fashion innovation, researchers highlight local wisdom values so that they can
be used or applied by crafters. The results of the research in the form of
concepts and prototypes of new designs are expected to be used as a guide or
example by crafters in innovating the design of ready-to-wear semi-couture
adult women's evening party clothing products referring to market needs.
The
state of the art of this research is a concept of ready to wear semi-virtual naga wayang kamasan
design innovation for adult women's evening party clothing that can be used as
a guide or reference by Balinese fashion designers in innovating ready to wear
semi adult women's evening party clothing product designs for the development
of Indonesian fashion with Balinese culture.
The qualitative
research method is used as the
basis of research on ready-to-wear semi virtual
dragon wayang kamasan design
for adult women's evening party wear. The creation methodology model often uses qualitative
research methods based on the
design process.
Definition
of the creative process starts from the preparation stage, which consists of
observation and analysis of existing problems, followed by the imagination
stage, namely with visual studies and preparation of tools and materials,
followed by the imagination development stage, which is aimed at the idea of
creation and the results of the design. The last stage is the design stage of
ready-to-wear semi-virtual dragon wayang Kamasan design for adult women's evening party clothing.
According to Portal Spada (2021), creation methodology is a set of activities,
rules and procedures used to create a work.
The investigation
began by observing and investigating
the focus of the phenomenon
in the hamlet of Sanging-Kamasan-Klungkung-Bali,
paying attention to the subjective
aspects of the object's behavior. Researchers look for information related to the phenomenon being studied
through research subjects.
According
to Tracy
Data
Collection
The data
collection technique taken by researchers is ready to wear a semi-virtual Kamasan puppet dragon for adult women's evening party
clothing, with the following research stages:
1. Observation
Observations began at the Kerta Gosa museum in Kamasan - Klungkung, with the first source, Mr. Nyoman Arcana.
2. Video
interviews and notes
The researcher interviewed the head of Sangging-Kamasan
hamlet Mr. Suwisna, he provided information that
innovation is still lacking for Kamasan puppet media
(Sangging hamlet- Kamasan
village-Klungkung July 9, 2022). Interview with Kamasan painter Mrs. Ni Wayan Sriwedari
(daughter of the late. Mr. Nyoman Madre, a legendary figure of Kamasan puppet painter) the place of innovation of Kamasan painting art is also limited, for example, fans,
offerings, and bags are in great demand because these items are often used in
daily activities (dusun Sangging-desa
Kamasan-Klungkung July 9, 2022). Kamasan
puppet painter Mr. I Made Sesanka Puja (July 9, 2022,
Sangging-Klungkung village) said that there was no
fashion designer who took the source of Kamasan
puppet ideas as an innovation for adult women's evening party clothing in ready
to wear semi. Kamasan painter Mr. Nyoman Arcana (sangging-village Kamasan-Klungkung
July 9, 2022) said there is no innovation for wayang Kamasan in fashion.
Researchers collected primary data by interviewing active Balinese
designers, namely Mrs. Yenli Wijaya and Mrs. Wahyu.
Mrs. Yenli Wijaya as a famous designer in Bali and
also a member of IFC Bali (Boutique Yenli-Denpasar-Bali,
April 08, 2023) for ready to wear semi that takes the innovation of evening
party wear for adult women with the source of the Kamasan
puppet idea does not exist at this time, more towards Kamasan
batik, chiffon kebaya fabric with Kamasan puppet
motif, Kamasan puppet motif kebaya, souvenir products
that start to outer wear, simple dresses and tote bags. Mrs. Wahyu (Mama&Leon-Denpasar, 08 April 2023) said that there has
been no innovation in Kamasan puppetry in evening
party clothing.
3. Questionnaire
Researchers are interested in developing fashion innovations for Kamasan painting art media based on Google form data with
82 respondents, the results of the questionnaire stated 63.4% agreed and 34.1%
strongly agreed that the making of clothing for the source of the idea of the
concept of the dragon Anantabhoga wayang
Kamasan is suitable for adult women's evening party
clothing. as the basis of primary research data. Researchers also asked
questions to 82 respondents, researchers got data from 35.4% disagreeing and
64.6% strongly disagreeing that fashion making for the source idea of the Kamasan Anantabhoga wayang dragon concept is suitable for school or official
uniforms. Researchers asked the question of making clothes for the source of
the idea of the concept of the dragon Anantabhoga wayang Kamasan suitable for
kebaya clothes to 82 respondents, researchers got data that 35.4% disagreed and
64.4% strongly disagreed. Documentation (Video and Photos).
RESULTS AND
DISCUSSION
The researcher created the Reminiscence
semi-couture fashion collection that departs from cultural roots,
Reminiscence fashion style appears more modern and represents urbanites.
The ethnic impression is more pronounced here, with a mix-and-match that is not
too formal. Handmade details are also present but
with simpler techniques and materials. The motifs are richer, a
mix of traditional and modern motifs. The following are the motifs used by researchers which
are then distilled.
|
Initial Motifs |
Distilled Motifs Initial Motifs |
Stylized plant Motif Aun-aun (cloud) |
Distilled Motifs |
||||
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Plant motifs |
Stylized Aun-aun
or cloud motifs |
||||||
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Sun Motif |
Stylized sun motifs |
River water/pool water |
Stylized river water/pool water motif |
||||
|
Fire Motif |
Stylized fire motif |
Stone Motif |
Stylized stone motifs |
||||
|
Simbar motif |
Stylized simbar
motif |
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|
Decorative motif |
|
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Figure 2. Stylistic Motifs of Kamasan Painting Motifs Figure 3. Kamasan Puppet
Painting with the Dragon Figure Anantabhoga Kamasan Puppet
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Figure 4. Dragon Anantabhoga
Stylized Figure 5. Collage Reminiscence Collection
Elegant Feminine Group Sexy Feminine
Group |
|
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Figure 8. Style and
Background |
The following is a questionnaire from 82 respondents, which was carried out
in three places: Gianyar, Ubud,
and Denpasar.
The
percentage of respondent groups can be seen as follows:
Description:
Score Interpretation Criteria
Number 21%-40% = Weak
Number 41%- 60% = Enough
Number 61%-80% = Strong
1. Making clothing for the source of ideas for the
concept of stylizing the Dragon Anantabhoga figure, Kamasan puppet, suitable for adult women's evening party
clothing.
|
Total score for |
28 |
answer SA (SS) |
4 |
= |
28 |
X |
4 |
= |
112 |
|
|
Total score for |
52 |
answer A
(S) |
3 |
= |
52 |
X |
3 |
= |
156 |
|
|
Total score for |
2 |
answer DA (TS) |
2 |
= |
2 |
X |
2 |
= |
4 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
272 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low
scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that:
|
The
number stated Strongly Agree (SS) |
= |
28 |
/ 82 |
x 100 % |
= |
34,15 |
|
The
number states Agree (S) |
= |
52 |
/ 82 |
x 100 % |
= |
63,41 |
|
Number of
states Disagree (TS) |
= |
2 |
/ 82 |
x 100 % |
= |
2,44 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the results of the research, 34.15% of respondents stated that they
strongly agreed and 63.41% agreed that making clothing as a source of ideas for
the concept of stylizing the Dragon Anantabhoga
character Kamasan puppet is suitable for adult
women's evening party clothing.
2. Making
clothing as a source of ideas for the concept of stylizing the Kamasan puppet Dragon Anantabhoga
character, suitable for school or official uniforms.
|
Total score for |
0 |
answer SA (SS) |
4 |
= |
0 |
X |
4 |
= |
0 |
|
|
Total score for |
0 |
answer A
(S) |
3 |
= |
0 |
X |
3 |
= |
0 |
|
|
Total score for |
29 |
answer DA (TS) |
2 |
= |
29 |
X |
2 |
= |
58 |
|
|
Total score for |
53 |
answer SDA (STS) |
1 |
= |
53 |
X |
1 |
= |
53 |
+ |
|
Amount |
= |
111 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
The
number states Agree (S) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
Number of
states Disagree (TS) |
= |
29 |
/ 82 |
x 100 % |
= |
35,37 |
|
Number of
states Strongly Disagree (STS) |
= |
53 |
/ 82 |
x 100 % |
= |
64,63 |
From the research results, 0% of respondents stated that they strongly
agreed, 0% agreed and 35.37% said they did not agree and 64.63% said they
strongly disagreed that making clothes as a source of ideas for the concept of
stylizing the Dragon Anantabhoga figure Kamasan puppet is suitable for school or official uniforms.
3. Making
clothing as a source of ideas for the concept of stylizing the Kamasan puppet Dragon Anantabhoga
character suitable for kebaya clothing, seen in the following design:
|
Total score for |
0 |
answer SA (SS) |
4 |
= |
0 |
X |
4 |
= |
0 |
|
|
Total score for |
0 |
answer A
(S) |
3 |
= |
0 |
X |
3 |
= |
0 |
|
|
Total score for |
29 |
answer DA (TS) |
2 |
= |
29 |
X |
2 |
= |
58 |
|
|
Total score for |
53 |
answer SDA (STS) |
1 |
= |
53 |
X |
1 |
= |
53 |
+ |
|
Amount |
= |
111 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The number stated Strongly Agree (SS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
The number states Agree (S) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
Number of states Disagree (TS) |
= |
29 |
/ 82 |
x 100 % |
= |
35,37 |
|
Number of states Strongly Disagree (STS) |
= |
53 |
/ 82 |
x 100 % |
= |
64,63 |
From the research results, 0% of respondents stated that they strongly
agreed, 0% agreed and 35.37% stated that they did not agree and 64.63% stated
that they strongly disagreed that making clothing as a source of ideas for the
concept of stylizing the Dragon Anantabhoga character
Kamasan puppet is suitable for kebaya clothing.
4. The
attractiveness of the stylized concept of the Dragon Anantabhoga
figure Kamasan puppet in adult women's ready-to-wear
semi-couture evening party clothing, can be seen in the following design:
Figure 9. Design 1
|
Total score for |
26 |
answer SA (SS) |
4 |
= |
26 |
X |
4 |
= |
104 |
|
|
Total score for |
51 |
answer A
(S) |
3 |
= |
51 |
X |
3 |
= |
153 |
|
|
Total score for |
3 |
answer DA (TS) |
2 |
= |
3 |
X |
2 |
= |
6 |
|
|
Total score for |
2 |
answer SDA (STS) |
1 |
= |
2 |
X |
1 |
= |
2 |
+ |
|
Amount |
= |
265 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
26 |
/ 82 |
x 100 % |
= |
31,71 |
|
The number
states Agree (S) |
= |
51 |
/ 82 |
x 100 % |
= |
62,20 |
|
Number of
states Disagree (TS) |
= |
3 |
/ 82 |
x 100 % |
= |
3,66 |
|
Number of
states Strongly Disagree (STS) |
= |
2 |
/ 82 |
x 100 % |
= |
2,44 |
From the research results, 31.71% of respondents stated that they strongly agreed,
and 62.20% stated that they agreed with the attractiveness of the stylized
concept of the Kamasan Anantabhoga
puppet character in evening party clothing for adult women ready to wear semi-couture.
5. The concept
presented by the researcher regarding consumer needs for evening party clothing
design can be seen from the ready to wear semi couture adult women's evening
party clothing design concept using the dragon figure in the Kamasan puppet, seen in the following design:
Figure 10. Design 2
|
Total score for |
20 |
answer SA (SS) |
4 |
= |
20 |
X |
4 |
= |
80 |
|
|
Total score for |
54 |
answer A
(S) |
3 |
= |
54 |
X |
3 |
= |
162 |
|
|
Total score for |
7 |
answer DA (TS) |
2 |
= |
7 |
X |
2 |
= |
14 |
|
|
Total score for |
1 |
answer SDA (STS) |
1 |
= |
1 |
X |
1 |
= |
1 |
+ |
|
Amount |
= |
257 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
20 |
/ 82 |
x 100 % |
= |
24,39 |
|
The
number states Agree (S) |
= |
54 |
/ 82 |
x 100 % |
= |
65,85 |
|
Number of
states Disagree (TS) |
= |
7 |
/ 82 |
x 100 % |
= |
8,54 |
|
Number of
states Strongly Disagree (STS) |
= |
1 |
/ 82 |
x 100 % |
= |
1,22 |
From the
research results, 24.39% of respondents stated that they strongly agreed and
65.85% stated that they agreed that the concept presented by the researcher
regarding consumer needs for evening party clothing design can be seen from the
ready to wear semi couture adult women's evening party clothing design concept
using figures dragons in Kamasan puppet.
6. The needs of
adult female consumers aged 35 years to 55 years for evening party clothing,
shown by researchers in a ready to wear design for adult women's semi-evening
party clothing with the Dragon Anantabhoga style of
the Kamasan puppet, seen in the following design:
Figure
11. Design 3
|
Total score for |
28 |
answer SA (SS) |
4 |
= |
28 |
X |
4 |
= |
112 |
|
|
Total score for |
52 |
answer A
(S) |
3 |
= |
52 |
X |
3 |
= |
156 |
|
|
Total score for |
2 |
answer DA (TS) |
2 |
= |
2 |
X |
2 |
= |
4 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
272 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
28 |
/ 82 |
x 100 % |
= |
34,15 |
|
The
number states Agree (S) |
= |
52 |
/ 82 |
x 100 % |
= |
63,41 |
|
Number of
states Disagree (TS) |
= |
2 |
/ 82 |
x 100 % |
= |
2,44 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 34.15% of respondents stated that they strongly
agreed and 63.41% agreed that the needs of adult female consumers aged 35 years
to 55 years for evening party clothing, according to the researchers, were
presented with ready to wear semi-ready to wear designs for adult women's
evening party clothing. with the Dragon Anantabhoga
style of the Kamasan puppet.
7. The technique
used to create the style of the Dragon Anantabhoga
character in the Kamasan puppet in adult women's
ready-to-wear semi-couture evening party clothing uses embroidery and hand
painting techniques, as in the following example of clothing with embroidery
and hand painting techniques, seen in the following design:
Figure 12. Design 4
|
Total score for |
37 |
answer SA (SS) |
4 |
= |
37 |
X |
4 |
= |
148 |
|
|
Total score for |
43 |
answer A
(S) |
3 |
= |
43 |
X |
3 |
= |
129 |
|
|
Total score for |
1 |
answer DA (TS) |
2 |
= |
1 |
X |
2 |
= |
2 |
|
|
Total score for |
1 |
answer SDA (STS) |
1 |
= |
1 |
X |
1 |
= |
1 |
+ |
|
Amount |
= |
280 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
37 |
/ 82 |
x 100 % |
= |
45,12 |
|
The
number states Agree (S) |
= |
43 |
/ 82 |
x 100 % |
= |
52,44 |
|
Number of
states Disagree (TS) |
= |
1 |
/ 82 |
x 100 % |
= |
1,22 |
|
Number of
states Strongly Disagree (STS) |
= |
1 |
/ 82 |
x 100 % |
= |
1,22 |
From the
research results, 45.12% of respondents stated that they strongly agreed and
52.44% agreed that the technique used to create the style of the Dragon Anantabhoga character in the Kamasan
puppet in ready-to-wear semi-couture adult women's evening party clothing used
embroidery and hand painting techniques, such as the following example of
clothing with embroidery and hand painting techniques.
8. Embroidery and hand painting techniques give a
luxurious and elegant impression to evening party clothing, especially for
adult women aged 35 to 55 years
|
Total score for |
39 |
answer SA (SS) |
4 |
= |
39 |
X |
4 |
= |
156 |
|
|
Total score for |
43 |
answer A
(S) |
3 |
= |
43 |
X |
3 |
= |
129 |
|
|
Total score for |
0 |
answer DA (TS) |
2 |
= |
0 |
X |
2 |
= |
0 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
285 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
39 |
/ 82 |
x 100 % |
= |
47,56 |
|
The number
states Agree (S) |
= |
43 |
/ 82 |
x 100 % |
= |
52,44 |
|
Number of
states Disagree (TS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research
results, 47.56% of respondents stated that they strongly agreed and 52.44%
agreed that embroidery and hand painting techniques give a luxurious and
elegant impression to evening party clothing, especially for adult women aged
35 years to 55 years.
9.
The final result of designing
a ready-to-wear semi-couture adult women's evening party clothing design
concept featuring the Kamasan puppet Dragon Anantabhoga character. Naga Anantabhoga
in the Kamasan puppet is the God Brahma in the form
of Naga Anantabhoga, whose color is red, which is in
the core of the earth. Anantabhoga is a symbol of
prosperity. Dragon Anantabhoga also symbols of earth
element. The symbol of Brahma in the form of the dragon Anantabhoga
has a red color symbolizing courage, strength and joy.
The color red can also provide encouragement or energy
to take action. The color red can mean life, like
blood and warmth. In the world of power, red is symbolized as a great or mighty
form. If viewed negatively, the color red is
associated with forms of violence.
Figure 13.
Design 4
|
Total score for |
28 |
answer SA (SS) |
4 |
= |
28 |
X |
4 |
= |
112 |
|
|
Total score for |
48 |
answer A (S) |
3 |
= |
48 |
X |
3 |
= |
144 |
|
|
Total score for |
6 |
answer DA (TS) |
2 |
= |
6 |
X |
2 |
= |
12 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
268 |
||||||||
Total ideal score (highest
score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0
= 0 (STS)
If based on the respondent group, it can
be seen that :
|
The number stated Strongly Agree (SS) |
= |
28 |
/ 82 |
x 100 % |
= |
34,15 |
|
The number states Agree (S) |
= |
48 |
/ 82 |
x 100 % |
= |
58,54 |
|
Number of states Disagree (TS) |
= |
6 |
/ 82 |
x 100 % |
= |
7,32 |
|
Number of states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 34.15% of respondents stated that they strongly
agreed and 58.54% stated that they agreed that the final
result of designing the ready-to-wear semi-couture adult women's evening
party clothing design concept was stylized by the Kamasan
puppet Dragon Anantabhoga character.
10.
Consumers like adult women's ready-to-wear semi-couture evening party
clothing designs, because they have fine sewing techniques and special craft
arts such as embroidery and hand painting which have high artistic value and
are elegant.
|
Total score for |
41 |
answer SA (SS) |
4 |
= |
41 |
X |
4 |
= |
164 |
|
|
Total score for |
41 |
answer A
(S) |
3 |
= |
41 |
X |
3 |
= |
123 |
|
|
Total score for |
0 |
answer DA (TS) |
2 |
= |
0 |
X |
2 |
= |
0 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
287 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
41 |
/ 82 |
x 100 % |
= |
50,00 |
|
The
number states Agree (S) |
= |
41 |
/ 82 |
x 100 % |
= |
50,00 |
|
Number of
states Disagree (TS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 50.00% of respondents stated that they strongly
agreed and 50.00% agreed that consumers like adult women's ready-to-wear
semi-couture evening party clothing designs, because they have fine sewing
techniques and special craft arts such as embroidery and hand painting which
have high artistic value and elegance.
11. Consumer
interest in evening party clothing for adult women aged 35 years to 55 years
still prioritizes ready to wear semicouture because
it has a price that matches the value of evening party clothing.
|
Total score for |
28 |
answer SA (SS) |
4 |
= |
28 |
X |
4 |
= |
112 |
|
|
Total score for |
54 |
answer A
(S) |
3 |
= |
54 |
X |
3 |
= |
162 |
|
|
Total score for |
0 |
answer DA (TS) |
2 |
= |
0 |
X |
2 |
= |
0 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
274 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low
scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
28 |
/ 82 |
x 100 % |
= |
34,15 |
|
The
number states Agree (S) |
= |
54 |
/ 82 |
x 100 % |
= |
65,85 |
|
Number of
states Disagree (TS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 34.15% of respondents stated that they strongly
agreed and 65.85% agreed that consumer interest in evening party clothing for
adult women aged 35 years to 55 years still prioritizes ready to wear semi
couture because it has a price that matches the value of the clothing night
party.
12. Ready to wear
semi-couture clothing using stylized dragon characters in the Kamasan puppet. Kamasan puppet
painting provides classical and executive artistic value. Balinese designers
are very interested in the source of Balinese cultural ideas as fashion
inspiration, as well as the art of Kamasan puppet
painting as a source of fashion ideas by Balinese designers.
|
Total score for |
34 |
answer SA (SS) |
4 |
= |
34 |
X |
4 |
= |
136 |
|
|
Total score for |
47 |
answer A
(S) |
3 |
= |
47 |
X |
3 |
= |
141 |
|
|
Total score for |
1 |
answer DA (TS) |
2 |
= |
1 |
X |
2 |
= |
2 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
279 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
34 |
/ 82 |
x 100 % |
= |
41,46 |
|
The
number states Agree (S) |
= |
47 |
/ 82 |
x 100 % |
= |
57,32 |
|
Number of
states Disagree (TS) |
= |
1 |
/ 82 |
x 100 % |
= |
1,22 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 41.46% of respondents stated that they strongly
agreed and 57.32% agreed that ready-to-wear semi-couture clothing uses stylized
dragon figures in the Kamasan puppet. Kamasan puppet painting provides classical and executive
artistic value. Balinese designers are very interested in the source of
Balinese cultural ideas as fashion inspiration, as well as the art of Kamasan puppet painting as a source of fashion ideas by
Balinese designers.
13. Many Balinese
designers do not know or have not utilized the art of Kamasan
puppet painting as a source of fashion ideas in semi-couture ready-to-wear
clothing.
|
Total score for |
11 |
answer SA (SS) |
4 |
= |
11 |
X |
4 |
= |
44 |
|
|
Total score for |
67 |
answer A
(S) |
3 |
= |
67 |
X |
3 |
= |
201 |
|
|
Total score for |
4 |
answer DA (TS) |
2 |
= |
4 |
X |
2 |
= |
8 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
253 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The number stated Strongly Agree (SS) |
= |
11 |
/ 82 |
x 100 % |
= |
13,41 |
|
The number states Agree (S) |
= |
67 |
/ 82 |
x 100 % |
= |
81,71 |
|
Number of states Disagree (TS) |
= |
4 |
/ 82 |
x 100 % |
= |
4,88 |
|
Number of states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 13.41% of respondents stated that they strongly
agreed and 81.71% agreed that many Balinese designers do not know or have not
utilized the art of Kamasan puppet painting as a
source of fashion ideas in semi-couture ready-to-wear clothing.
14.
The development of ready-to-wear adult women's evening party clothing in
Bali inspired by Kamasan puppet is
currently still not attracting the interest of Balinese designers to explore
the classic Balinese culture of Kamasan puppet
painting.
|
Total score for |
14 |
answer SA (SS) |
4 |
= |
14 |
X |
4 |
= |
56 |
|
|
Total score for |
57 |
answer A
(S) |
3 |
= |
57 |
X |
3 |
= |
171 |
|
|
Total score for |
11 |
answer DA (TS) |
2 |
= |
11 |
X |
2 |
= |
22 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
249 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
14 |
/ 82 |
x 100 % |
= |
17,07 |
|
The
number states Agree (S) |
= |
57 |
/ 82 |
x 100 % |
= |
69,51 |
|
Number of
states Disagree (TS) |
= |
11 |
/ 82 |
x 100 % |
= |
13,41 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results,
17.07% of respondents stated that they strongly agreed and 69.51% agreed that
the combination of fashion and classic Kamasan
Balinese painting is a form of innovation in semi-couture ready-to-wear
clothing for adult women aged 35 years to 55 years. will provide a form of
classic modern innovation, because it also provides
new opportunities for Kamasan painting craftsmen to
get to know new innovations in fashion as a form of innovation in Kamasan Bali painting.
15. Ready to wear
semi couture clothing in Bali currently still uses embroidery and application
techniques without any touch of Balinese culture, the art of Kamasan puppet painting.
|
Total score for |
12 |
answer SA (SS) |
4 |
= |
12 |
X |
4 |
= |
48 |
|
|
Total score for |
58 |
answer A
(S) |
3 |
= |
58 |
X |
3 |
= |
174 |
|
|
Total score for |
12 |
answer DA (TS) |
2 |
= |
12 |
X |
2 |
= |
24 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
246 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
12 |
/ 82 |
x 100 % |
= |
14,63 |
|
The
number states Agree (S) |
= |
58 |
/ 82 |
x 100 % |
= |
70,73 |
|
Number of
states Disagree (TS) |
= |
12 |
/ 82 |
x 100 % |
= |
14,63 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 14.63% of respondents stated that they strongly
agreed and 70.73% agreed that ready-to-wear semi-couture clothing in Bali
currently still uses embroidery techniques and applications without any touch
of the Balinese culture of Kamasan puppet painting.
16. The interest in adult
women's ready-to-wear semi-couture evening party clothing by stylizing the
dragon character from the Kamasan puppet for adult
women aged 35 years to 55 years which the researchers carried out has really
attracted the interest of consumers of evening party clothing, especially using
embroidery and hand techniques. painting, seen in the following design:
Figure 14. Design 5
|
Total score for |
29 |
answer SA (SS) |
4 |
= |
29 |
X |
4 |
= |
116 |
|
|
Total score for |
51 |
answer A
(S) |
3 |
= |
51 |
X |
3 |
= |
153 |
|
|
Total score for |
2 |
answer DA (TS) |
2 |
= |
2 |
X |
2 |
= |
4 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
273 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
29 |
/ 82 |
x 100 % |
= |
35,37 |
|
The
number states Agree (S) |
= |
51 |
/ 82 |
x 100 % |
= |
62,20 |
|
Number of
states Disagree (TS) |
= |
2 |
/ 82 |
x 100 % |
= |
2,44 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 35.37% of respondents stated that they strongly
agreed and 62.20% agreed that there was interest in adult women's ready-to-wear
semi-couture evening party clothing featuring the dragon figure from the Kamasan puppet for adult women aged 35 years to 55 years.
What the researchers did really attracted the interest of consumers in evening
party clothing, especially using embroidery and hand painting techniques.
17.
Consumer needs for evening party
clothing, especially adult women aged
35 years to 55 years, which have
a touch of Balinese culture combined with embroidery
and hand painting techniques are very attractive to consumers.
|
Total score for |
29 |
answer SA (SS) |
4 |
= |
29 |
X |
4 |
= |
116 |
|
|
Total score for |
53 |
answer A
(S) |
3 |
= |
53 |
X |
3 |
= |
159 |
|
|
Total score for |
0 |
answer DA (TS) |
2 |
= |
0 |
X |
2 |
= |
0 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
275 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
29 |
/ 82 |
x 100 % |
= |
35,37 |
|
The
number states Agree (S) |
= |
53 |
/ 82 |
x 100 % |
= |
64,63 |
|
Number of
states Disagree (TS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 35.37% of respondents stated that they strongly
agreed and 64.63% agreed that consumer needs for evening party clothing,
especially adult women aged 35 to 55 years, have a touch of Balinese culture
combined with embroidery and hand painting techniques very attractive to
consumers.
18.
The connection
between Kamasan-Bali wayang
culture and the development of Indonesian fashion is very much
needed, for the continuity of Kamasan painting
culture so that it is
increasingly recognized as
a classic Balinese painting art that
can be innovated
in fashion, especially in ready-to-wear semi-couture evening party clothing
for mature women. 35 years old to 55 years
old.
|
Total score for |
32 |
answer SA (SS) |
4 |
= |
32 |
X |
4 |
= |
128 |
|
|
Total score for |
49 |
answer A
(S) |
3 |
= |
49 |
X |
3 |
= |
147 |
|
|
Total score for |
1 |
answer DA (TS) |
2 |
= |
1 |
X |
2 |
= |
2 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
277 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The
number stated Strongly Agree (SS) |
= |
32 |
/ 82 |
x 100 % |
= |
39,02 |
|
The
number states Agree (S) |
= |
49 |
/ 82 |
x 100 % |
= |
59,76 |
|
Number of
states Disagree (TS) |
= |
1 |
/ 82 |
x 100 % |
= |
1,22 |
|
Number of
states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the research results, 39.02% of respondents stated that they strongly
agreed and 59.76% agreed that the connection between culture of puppet Kamasan - Bali and the development of Indonesian fashion is
very necessary, for the continuity of Kamasan
painting culture so that it is increasingly recognized as a classic Balinese
painting art that can Innovated in fashion, especially in ready-to-wear
semi-couture evening party wear for adult women aged 35 years to 55 years.
19. The
combination of fashion and classical Kamasan Balinese
painting is a form of innovation in ready to wear semi couture clothing for
adult women aged 35 years to 55 years which will provide a form of classic
modern innovation, because it also provides new opportunities for painting
craftsmen Kamasan to recognize new innovations in
fashion as a form of innovation in the art of Kamasan
Bali painting, seen in the following designs:
|
Total score for |
31 |
answer SA (SS) |
4 |
= |
31 |
X |
4 |
= |
124 |
|
|
Total score for |
51 |
answer A
(S) |
3 |
= |
51 |
X |
3 |
= |
153 |
|
|
Total score for |
0 |
answer DA (TS) |
2 |
= |
0 |
X |
2 |
= |
0 |
|
|
Total score for |
0 |
answer SDA (STS) |
1 |
= |
0 |
X |
1 |
= |
0 |
+ |
|
Amount |
= |
277 |
||||||||
Total ideal score
(highest score) = 4 X 82 = 328 (SS)
Number of low scores = 1 X 0 = 0 (STS)
If based
on the respondent
group, it can be seen
that :
|
The number stated Strongly Agree (SS) |
= |
31 |
/ 82 |
x 100 % |
= |
37,80 |
|
The number states Agree (S) |
= |
51 |
/ 82 |
x 100 % |
= |
62,20 |
|
Number of states Disagree (TS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
|
Number of states Strongly Disagree (STS) |
= |
0 |
/ 82 |
x 100 % |
= |
0,00 |
From the
research results, 37.80% of respondents stated that they strongly agreed and
62.20% agreed that the combination of fashion and classical Kamasan
Balinese painting is a form of innovation in semi-couture ready to wear
clothing for adult women aged 35 years to 55 years. will provide a form of
classic modern innovation, because it also provides
new opportunities for Kamasan painting craftsmen to
get to know new innovations in fashion as a form of innovation in Kamasan Bali painting.
CONCLUSION
This study concludes that the ready-to-wear semi-stylized concept for the
Dragon Anantabhoga figure in Kamasan
puppet paintings is suitable for adult women's evening party clothing, although
it still requires cultural innovation from the Kamasan
puppet painting art that stylizes the Dragon Anantabhoga
figure. The research generated six ready-to-wear semi-couture evening party
clothing designs for adult women, named "Reminiscence" to highlight
the roots of local Balinese culture, specifically the Kamasan
puppet dragon. These six designs were crafted using shimmer silk, Klungkung-Bali woven material, and tulle, with the Kamasan puppet design applied in different positions in
each design. In the first group of designs, the Kamasan
puppet dragon design is applied to the front position of the chest, circling to
the back and returning to the front, while in the second group, the design is
applied to woven cloth tucked into the waist resembling a Balinese dancer's
fashion shawl. The dress design for all six designs is a dress, with the first
group characterized as feminine and sexy, and the second group as feminine and
elegant. Dress variations include an Obi.
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|
Copyright
holder: Ni Kadek Dwiyatirta Pande, I Wayan
Mudra, Ida Ayu Gede Artayani
(2024) |
|
First
publication right: Journal Transnational Universal Studies
(JTUS) |
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This
article is licensed under: |